Beyond doubt the best thing about working on a commission is the moment when the client sees the finished piece. That is when you know if you got it right or not. So it was with my most recent commission which I had the pleasure of sending on its way this week.
I was delighted with her reaction to her vessel. It is a special birthday present for a member of her family and includes material from the woods on their land and details of the location and architects drawings for the house.
The colours which have come out in the patterns on the vessel apparently match those of the house, which is not surprising given the origins of the material but it is still gratifying to know.
I am particularly pleased with the idea to put the drawing of the house on the base. It is as if everywhere you look there is another surprise waiting for you, even when you turn it over there is something else to see.
But without doubt, it is the reaction of the client which gives me the best feeling. She was really happy with it and it clearly meant so much to her – considerably more than it did to me as I have never been to that part of the UK. Up until that point it felt like a job well done but as I handed it over it became so much more than that.
I felt as if I was launching a ship or something. I find that these vessels, which are so personal to the person who orders them, are so much more than any of the other work I am doing and I love the warm fuzzy feeling that the hand over gives me deep inside.
I began with my stand showing almost exclusively new work. I wanted to promote my most recent ideas. I filled my stall with my fragile, thin porcelain vessels which have inclusions of found clay. It looked good and I was really pleased with it. The trouble was, and don’t get me wrong, this is a good problem to have, so did the customers. By the end of Friday it was looking decidedly bare! So late on Friday evening I made a panic dash to 
Bridget Macklin 