Once More to the Dump, Dear Friends.

Moving house is proving very traumatic.  It is not so much the sorting, tidying and packing that is getting me down.  It is more the trips to the dump.  How on earth did I accumulate so much rubbish in the short time that I have lived in London?

The scary thing is that so much of what I have taken down to add to landfill is as a result of my ceramical activity; not something about which I feel terribly clever.

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Oh dear!

The problem with ceramics is that, once fired, they last for ever which is why they are so useful historically.  I wonder if, in the millennia to come some poor archaeologist is going to be subjected to sifting through a deep hole in south east England and will happen upon the efforts of my ceramics misadventures!

 

Fair enough, you can’t make an omelette without breaking eggs but when I think about the number of trips that I have done with car loads of experiments and errors over the past few weeks it drives home the responsibility that we all have to think before we fire.  I realise that the fact that much of this work was created as a part of my Diploma and from which I learned a huge amount mitigates this waste to some extent but at what cost?  I suppose there are a number of questions that we should ask ourselves each time we load a kiln.

  • What do I expect to achieve in this firing?
  • What is the likelihood of achieving it?
  • Which pieces already look like a triumph of hope over expectation?article-1104741-017C6CA2000004B0-617_468x286[1]http://www.dailymail.co.uk

     

I am not suggesting that we should not experiment, Heaven forbid!  Indeed I adhere to the view that every firing should include some kind of experimental piece.  I am simply suggesting that all of us have a responsibility to care for our planet and that as ceramic artists we are sending the planet a double whammy which makes it even more important that we examine our consciences on a regular basis:  We plunder our natural resources in order to make work which, if we are not happy with, we throw away where it adds to the problems of landfill.

This is It!

This week I have done my last day of teaching ever.  Yes, I know that some of my friends think that I won’t last.  That I won’t be able to resist the call of the children for more than a few months.  But this time I really think I can.  There is too much to do now: boats to sail, gardens to create, journeys to travel, houses to love, homes to nurture.  I am so full of plans and so many of them include playing with clay.

So over the weekend we are sorting out and throwing away vast quantities of our old life, shrugging off the chattels which we have lugged from pillar to post over so many years.  Some will go into store to be lovingly unwrapped once the house in Cornwall is decorated and ready to give them a permanent home – I can’t throw out a single photograph and I am having difficulty with some of the children’s toys.  Well, memories are important!

And then I become a proper artist.  Included in my complete change of lifestyle comes a boat on the River Thames which will become our London home from now on.  My days will begin with an exercise regime – well it is about time – and then there will be the trip to the studio, which will no longer necessitate using a car.

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That’s me in the front there!
I already have one piece of work in Cornwall at Tregony Gallery but there will be more to come very soon.  Then there is our Pop up Gallery which has been such a success that we are now in negotiations with the local council to make it permanent.

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Sold but plenty of others available
I have a number of commissions to work on in the next few weeks and I am keen to find myself some kind of artist in residence position before too much longer because I love the idea of doing some site specific work for a while.

 

So that’s it.  Nothing to do now except box up the last few possessions and trundle off up the river to Thames Ditton which is about to become my wonderful floating home.