Less is generally More

This week I had a meeting with a client about a commission that I am doing for her.  We were discussing the decoration for the interior of the piece.  She had previously provided me with several architectural plans and I had spent a while trying to work out which to use.  Now she had some better plans and she also had a map of the area which is the subject of the piece.  This meant that we were both in danger of becoming a bit overwhelmed by choice.  We tried out all sorts of combinations; she was so attached to the story behind the commission that was hard for her to decide what was the most important part.

The Battersea Vessel low res
Tell the whole story –
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Or keep it simple?

 

In the past I have done very simple and, with equal success, included lots and lots of information all overlapping.  So which is best?  And how am I going to glean from a client which one they would prefer?

The problem is that until the images have been transferred onto the piece it is impossible to see how they work with the piece.  It is only when the transparency reveals the drawing and its relation to the markings on the vessel that you know if you have got it right.

A brainwave struck me as I was grappling with this.  I need to be able to see the impact of the drawn lines before I order the decals.  Why I didn’t think about it before I do not know but I am off to find an online stockist of transparent  film which will work with my antiquated printer right now!

Cornwall Here I come.

There is a lot going on at the moment but little to show for it because everything is half finished so I think the best thing is just to share the news that I have been taken on by a lovely gallery in Cornwall.

Tregony is known as the gateway to the Roseland Peninsular.  It is an ancient town with its roots going right back to pre-Norman times which now sits at the lowest ‘solid crossing’ of the River Fal, fifteen miles from the sea. Below here it is a case of take the ferry or swim.  The main road is unusually wide – a reflection of the time when the river was navigable to here and Tregony was a busy port.

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Tregony Clocktower.
Now the river is silted up by outflow from agriculture, tin streaming and the china clay industry and it is a tranquil place.  It is also a great place for me to exhibit my work and I could not be more excited about my new relationship with Tregony Gallery.

The gallery is in relatively new ownership.  Judith and Brian Green have been living in Tregony for years but only recently took over the gallery and have worked hard to brighten it and give is a fabulous contemporary look.

I visited them last time I was down and I took the first of my series relating to the Cornish mining industry to show them.  They seemed keen and asked to hang onto it for their summer show.  Imagine my delight when I looked on their website to see my piece in pride of place! Tregony Gallery seems to be the perfect place for me to dip my toe in the waters of the art world in Cornwall, given my love of the Roseland and the link between my work and the mining industry.  I am looking forward to a long and happy relationship with the Greens.

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Coming soon to Tregony Gallery.