Sod’s Laws?

Last week I spent a lot of time working on commissions.  Several of these were for people who are particularly important to me – either because I know them personally or because they have become some of my best customers.  It seemed to me that this had a strange impact on my work.  I think that I was trying particularly hard to get things as good as I could get them and this proved to be a mistake!

There are weeks which go really well in the studio but this was not one of those.  Trying too hard takes the spontaneity out of things and they spoil.  Opening the kiln was not a good experience.  Things had warped, discoloured, cracked or peeled.  So after a flurry of emails to explain why delivery might be a bit later than planned, this week I am back to the drawing board – sun or no sun!

On the up side, I firmly believe that every error leads to a development and an improvement.  The lucky people for whom these pieces were intended will shortly be benefitting from improved models.  Well, that is the plan at least.  So, if Sod is reading this, please could he go and upset somebody else this week whilst I rectify a few things

 

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Material used to strengthen the porcelain has never discoloured it before!

 

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This flat platter now goes round corners.

 

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Decals are not supposed to peel up from the centre.

 

 

 

 

Keeping up to the task I set myself

So one of my New Year’s resolutions was to include an experimental piece in every firing.  So far, so good,  The kiln has been busy preparing my work for Top Drawer this week and I have been busy trying to keep up with the making of a sudden influx of commissions which came in just before and after Christmas

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Stage one of a commission well under way.

but I found time to have a bit of a play as well – after all, the kiln was keeping me warm, it was cold outside and no-one would come with me whilst I was battling a nasty cold so it made sense.

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Is it a chocolate fudge cake?  No, it’s only me, trying things out with a bit of old clay.

I hate throwing waste clay away so I decided to clump some bits together and see if I could get some exciting contrasts within a piece.  I think I managed that alright.  That little line of red is what really does it for me.

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And I think it sets off the more fragile porcelain rather well – time for a spot of R&D I feel, but not until I have found my way to the other side of the events next week at Olympia.  I am quite pleased with what the kiln handed back to me so let’s hope it goes well.

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Beverley Brook vessel with winter Willow trees.