Sleep patterns

I am about to embark on another collaborative venture.  More details will follow but suffice to say that I am going to be working with other makers on a project which is going to involve me taking the way they work: their colours and textures and incorporating them into a body of work for a joint exhibition this autumn.  I am truly excited to have been presented with the opportunity and, given the pleasure that the collaboration with Candide Turner Bridger and Nigel Slater gave me for the recent Earthlines exhibition, I know that it could result in some great work.

Great Walsingham Gallery Low Res 16

Collaborative work for Great Walsingham Gallery.

But, and it is a big BUT, I also know that I now have a whole lot of sleepless nights coming in the next couple of weeks.  All my best ideas happen in the middle of the night, usually at about 3 am.  The initial electrical surge is followed by a protracted process of going over and over the finer detail and sleep becomes utterly impossible.  There is little point in getting up and beginning to make as the whole thing has to ‘cook’ for a while first.  Sometimes a walk helps – so the puppy is on standby for some strange night-time excursions – but, please, if you have any dealings with me in the next week or so, do not expect much in the way of quick witted repartee!  

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Please be gentle!

Creativity Begins at Home

We began with a slightly unimaginative bungalow and we wanted to make a new home which would ‘fit’ the plot.  We wanted to be sensitive to the needs of those further up the hill to keep their view and we did not want to begin by knocking it down, lock stock and barrel before putting up something which occupied the entire site and disregarded any feelings of those around us.  Instead we took away the terrace, built rooms underneath it and then put it back on top.  View intact, house extended, neighbours happy.  

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It’s been hard work but so worth it!

Now we are in and I have a wonderful studio attached to the house in which I can work at any hour of the day and night but it has taken vast quantities of time and energy and my blog has suffered.

In addition,  I am working towards is a major exhibition in Great Walsingham, Norfolk in May and June and this has taken the rest of my reserves.

 

Jar. Burnham Overy Staithe
Jar for the exhibition in Norfolk using found materials from Burnham Overy Staithe

I am working with  Candide Turner Bridger , to  create a body of work about the North Norfolk Coast Path.  Because we are both very process-led makers we wanted to document our journey towards the exhibition and to that end we have set up a website and a blog on which we are detailing our progress.  A number of people have recently begun to follow me and there are also many others who must be wondering where I have gone. I would hate you all to feel neglected but I am not likely to blog on this site until the exhibition is up and running.  So if you want to know what I am up to for the next couple of months you might be better following me here for the time being.  Let me know what you think.