Baby, It’s Gloomy Out There!

 

Beverley Brook.jpg
Beverley Brook on a grey day in December.

My Beverley Brook vessels have been going down a treat and, in my enthusiasm to make each one unique I went for a walk along the brook at the weekend to try and get some more images to use in the inside of the vessels.  The light was awful – grey with a hint of fog – and so I was not exactly hopeful of getting a shot worthy of the Royal Photographic Society but in actual fact it doesn’t seem to matter for what I want.  So this week I thought I would do a bit of a ‘how to’ blog because a lot of people have been asking me about the interior decoration.

 

 

 

 

 

 

Step 1:  Take some photos.  The deer are still feeling a bit frisky and so it was not difficult to find a couple of stags playing ‘I’m the biggest deer in the Park!’

Battling deer.jpg

I didn’t have to get close which is good because I am really anti people stalking the deer and surrounding them with cameras!  These two were not really fighting.  In fact they looked distinctly bored and the younger one was simply going around the herd picking on all the other stags in order to annoy them as far as I could see.

Step 2: Download your image and enhance the lighting and contrast in Photoshop.

Battling deer_enhanced.jpg

By now the image is looking a little extreme but that is what I need if the decal is to work well.

Step 3: Remove anything that looks the least bit confusing:

 

battling-deer-decal

 

all the bracken has to go for starters.

Finally order the decals, stick them inside the vessel and fire.  I have not got that far with this image yet – it will probably make an appearance on a piece to feature in the Top Drawer exhibition that I am taking part in after Christmas but I am hopeful that it will look something like this:

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Reasons To Be Cheerful . . . . .

Things have been a bit strange since the Open Studios in November.  There have been some massive highs, some horrible lows and everything in between.  To cut a long story short I have decided that I am going to bring forward the moving of my studio to Cornwall.  The building plans are no further forward but I don’t want to work in London for various reasons and so I am going to rent a studio on the Roseland until my own studio is ready sometime next summer.

I have agonised over this.  Things have been taking off in London and I didn’t want to lose out just as it was going so well.  However, I have given myself a stiff talking to; pointed out to myself that, if I am any good, I don’t need the big smoke; gone for one of my favourite walks on a fabulous December afternoon and reminded myself that I have a lot to be thankful for.

With somewhere such as this to inspire me why would I not want to hasten my westerly migration!

To paraphrase the words of Paulo Nutini I have the view from my window and a nice warm bed; I have a great place to work and a bucket full of mud; I have some great ideas and a nice warm kiln; but most of all, I’ve got my Roseland!