Would you Like Chips with That?

For quite some time I have had a desire to ‘go large’ in the studio so when I saw a really enormous beach ball for sale in the village post office I simply couldn’t resist the temptation to make a really bit mould.  When I got it home, I discovered just how large it really was – maybe I need a bigger kiln!

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Houston, we have a problem!

In fact it isn’t TOO big.  Once I have done some manipulation of the clay and there has been a bit of shrinkage I am confident that my current kiln will be just fine.

The next thing to do was to create the mould from the shape.  As a general rule I would have built up the clay all the way to the mid point of the ball, constructed a wall around the entire thing and started pouring plaster of Paris until the cows came home.  If I had done that this time I would have used a ton of plaster of Paris and ended up with something so big and heavy I would never have been able to lift it so I thought I would go for something different.  The following images show the main stages:

 

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1. Make a clay barrier exactly on the mid line of the ball.
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2. pour a very thin layer of plaster of Paris over the whole of the top of the ball. (I made the plaster thicker than usual so that it didn’t run off.
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3. Put a collar on the outside of the clay wall and pour more plaster over tha ball, making sure that it filled the collar and was a fairly even thickness all over.

 

The result is that I now have a fabulously large mould.  It is light and easy to manoeuvre and I can’t wait for it to dry out fully so that I can get making.

 

Planning my For-ever Studio

It’s a scary thought but the studio that I am planning at the moment is meant to last me a lifetime!  So I kind of need to get it right.  Previously there has been an element of making do with the space that I had and be thankful for having it.

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Not much room to throw a pot here!
The space I have in which to work has grown over time from half a little tiny space to the whole of that space to double that space.  But it has never been my space – someone else has held the lease; determined where the lighting, cupboards, windows were; made unhealthy decisions on the amount of insulation that artists need in the walls and floors of their work-space!  (I know where the cold goes when the weather warms up in Cornwall now – My studio is the original heat sink!)

 

This time, I am going to have to decide for myself where are the best places for work surfaces, cupboards, the sink and the shelves.

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Not much of a view!

Windows and plumbing are already sorted – I didn’t want a great view because I knew that it would distract me and I did want great plumbing because I know what clay does to U bends!  But the rest of it!  So much space, so many possibilities!

 

If you visit the Victoria and Albert Museum you can see a mock-up of Lucy Rie‘s studio.  It is quite a compact space – much smaller than I am about to have – and within it she created the most beautiful work.  Size is not everything!  So I need to bear in mind that it is not where you create but what you create that is important.  I do not want to let the new super-space to go to my head but, on the other hand, given that I can arrange it as I want, I might as well have it as I want it.  Decisions, decisions!

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Lucy Rie making magic in her Studio.