A Very Potty Christmas and A Clarty New Year to You All

So here we are.  Christmas comes again!  What a year this has been.  Full of surprises, tragedy, political upheaval and the rest!  The end of 2016 cannot come fast enough in some ways and yet, for me personally, it has been a remarkably good year too:  Sales have been good; interest from important directions has been exciting; activity on my social media sites has been incredible and the learning curve has flattened out a wee bit giving me time to consolidate some ideas and try a few new ones.  So here are some of the highlights of my ceramic year.

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     I am now represented by Tregony Gallery
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It has given me great pleasure to hand commissions to my customers and see their reactions.
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I have taken part in some fantastically successful shows:  Here was my stand at Kew Gardens
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I have learned so much from being a part of Klay
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A piece of my work has been photographed and now hangs large, proud and clear for all to see in Battersea as part of the redevelopment of the Power Station site.

 

2017 will see the ‘Grand Migration’ to Cornwall which is an enormous step – one that I have been wishing for since I was about ten years old, so not long really!!  I am hopeful of collecting some more exciting and interesting commissions; I am taking part in a 3 person show in May – 2 painters have asked me to provide the 3D element to an exhibition at  highlighting the best of Surrey’s landscapes at the  Fountain Gallery in East Molesey, close to Hampton Court – and it kicks of  with Top Drawer which is a huge trade show at Olympia in January.  I wonder what, if any, surprises That will send me!

 

So I would like to wish everyone a very happy Christmas and a successful, healthy and happy 2017.  Let’s hope for calm waters and sticky mud!

Reasons To Be Cheerful . . . . .

Things have been a bit strange since the Open Studios in November.  There have been some massive highs, some horrible lows and everything in between.  To cut a long story short I have decided that I am going to bring forward the moving of my studio to Cornwall.  The building plans are no further forward but I don’t want to work in London for various reasons and so I am going to rent a studio on the Roseland until my own studio is ready sometime next summer.

I have agonised over this.  Things have been taking off in London and I didn’t want to lose out just as it was going so well.  However, I have given myself a stiff talking to; pointed out to myself that, if I am any good, I don’t need the big smoke; gone for one of my favourite walks on a fabulous December afternoon and reminded myself that I have a lot to be thankful for.

With somewhere such as this to inspire me why would I not want to hasten my westerly migration!

To paraphrase the words of Paulo Nutini I have the view from my window and a nice warm bed; I have a great place to work and a bucket full of mud; I have some great ideas and a nice warm kiln; but most of all, I’ve got my Roseland!