Playing With Other People’s Memories!

This week I took on a new commission.  I spent a happy hour in my studio  with the customer.  We poured over the architects drawings of a beautiful looking Arts and Crafts style house which, in all probability, I will never see;  We discussed maps of the area where the house was built in order to get a feel for the place and to understand it from her point of view and then I started work on a test piece to explore the possibilities which she is hopeful that I can achieve.  I began by examining samples of the subsoil for stickiness and lime – stickiness is a good sign as it indicates a high proportion of clay in the soil whereas lime is a nightmare  because it decomposes in the kiln and then later on it very slowly and subversively destroys the ceramics made with it.  Fortunately there does not seem to be any in this sample.

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Lime can be a nightmare – slowly and insidiously destroying a piece at a later date, as the pitting on the far side of this vessel demonstrates!

It is a funny feeling working with somebody else’s special memories.  On one level it makes me feel quite excited.  I love the idea of creating a piece which has real meaning to someone else and yet, at the same time, there is a massive sense of responsibility!  The clay can speak for itself.  The colours and contours which appear as I work can only tell of the landscape from whence they came.  So long as I relax and just let it guide me, the vessel should tell of the place which is so important to my customer.  The anxiety on my part is that I am playing with someone else’s memories.  Knowing how important my own memories are, I really appreciate the trust that this lady is putting in me to work with hers.  She has images in her head which I can never be party to and yet, somehow, the finished vessel must give sufficient of a hint to these pictures that it sparks a sense of well being in her and in the person for whom this vessel is a gift.  I am really looking forward to working on this vessel but a cannot claim for one minute that the project is worry-free.

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Even if I were to travel to the area the images in my head would not be those of my customer.

Will You Still Love Me?

There is a move afoot to go and live in Cornwall properly this summer.  I am extremely excited about this – I have handed in my notice for my teaching post and, whist I will miss the lovely children that I teach 3 days per week, I am very excited about the future . . . . .

Well, I think I am!  I love Cornwall.  It is, to all intents and purposes, my home anyway and the Roseland Peninsular is calling me in no uncertain terms.

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The Roseland Peninsular is calling me.

But, and it is a very big but, what will happen to my ceramics?

 

Eventually I will have a studio in St Mawes.  I have the planning permission for it, it will be easy to reach whenever I want to pop in for a few hours or just for 10 minutes to check on the kiln, I wont have to drive through the London traffic taking up to an hour to go about 6 miles, I can sip my coffee gazing at the weather coming in over the Lizard.  What’s not to like?

Absolutely nothing!  Except, it is a risk isn’t it – this jumping off the rat race.  Wimbledon offers me so much.  It may cost a bit but it gives me easy access to a fabulous customer base without whom I would have stopped playing with clay long ago.  The twice yearly Open Studios, the next one of which is coming up in May, regularly sees 4-5 thousand people come through the doors.  The feedback which they provide on the work they see in your studio is invaluable and the purchases that they make are extremely affirming of the effort which one puts in for the rest of the year.  In addition,  when the feeling leaves me and I don’t know what to do, there is always the kettle.

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Wimbledon Artists Studios gives me so much of what I need as an artist.

You can usually find someone to bounce and idea off, share a moment of frustration with or simply ask how they are doing.  Then off you go, back to work feeling a release from the doubt or what ever was bugging you.  In addition to that, the is Klay.  Our new baby is growing fast.

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Klay is doing so well.
It has done so well in the short time that it has been in operation that the 12 of us had a long and deep discussion this week about what happens when we get to the end of our three months popping up in Camden.  I want to be a part of this project.  I believe that it has a great deal of mileage and, judging by the response that we are getting from our customers and also from Camden itself (whose generosity allowed us to get up and popping in the first place), I am not alone in this belief.

 

It seems to me that I ma going to need to find some way of having it all!