Popping Up

This week I have joined a number of my City Lit Diploma graduate contemporaries in signing the least on a small unoccupied premises in Camden.  The council in this most enlightened borough of London believes that it is bad for the area to have too many empty shops and so they have come up with a fantastic idea to support emerging businesses.  For a short period they pay your rent and electricity bills and you contract to open the shop and make the area look more lively.  Well it seemed to us like an opportunity too good to ignore and so Klay was born!

We are a group of 12 ceramic artists, some making functional pieces, others decorative, but all of us working in the realm of contemporary ceramics.  The shop doesn’t look like much at the moment but with a lick of paint and some clean shelving, it has real promise.  There is a great little café next door and a couple of other galleries in the area and transport links are great; Kentish Town and Chalk Farm stations nearby and a bus stop right outside.  So now the hard work begins – designs, bags, bubble wrap, decoration, payment methods, rotas for manning – and, oh yes, making!  Going to be a frantic few weeks I feel!

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It only needs a lick of paint!

 

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It only needs a lick of paint!

Testing Times

This week I have been experimenting with a new clay.  I love the feel of working with porcelain but I would really like to reduce the amount of warp which I get in large pieces so I thought I would have a go with some molochite grogged porcelain.  I confess that the jury is well and truly out over this one.  It came out of the bag wet and floppy but when I left it to dry for a bit it became rather fractious and crumbly.  It was a beast to build with – it felt horrible to the touch and did not really want to join to the found materials at all.  I have gone large because that is, after all, the point and I am going to fire to at least 1230 to see how it behaves but I will certainly need a lot of convincing!

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Give me Audrey Blackman every time!

yesterday, at a get together of the Diploma students we were talking about clay as you do at 10:30 on a Friday evening, and a number of my contemporaries have also been having a go with a few new clays.  There were some very favourable reports of a white stoneware/porcelain blend from some and so that might be the next one to try but in the meantime, I am open to suggestions – how do you get a lovely smooth, workable clay with the qualities of porcelain but without the warping?